BathHouse Reading Series – Daniel Borzutzky and Amy Sara Carroll

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DANIEL BORZUTZKY and AMY SARA CARROLL

READING: September 27, 2016 at 4:30 pm

“BOR/DER/I/ZA/TION” (Conversation): September 28, 2016 at 2 pm

BOTH EVENTS WILL TAKE PLACE IN THE

STUDENT CENTER AUDITORIUM

Daniel Borzutzky

daniel-borzutzky

Daniel Borzutzky grew up in Pittsburgh, Pennsylvania, of Chilean heritage. He has published books and chapbooks including The Performance of Becoming Human (2016), In the Murmurs of the Rotten Carcass Economy (2015), Bedtime Stories for the End of the World! (2015), Data Bodies (2013), The Book of Interfering Bodies (2011), and The Ecstasy of Capitulation (2007). His work is witty and satirizes contemporary culture and political figures. Borzutzky has translated Raúl Zurita’s, The Country of Planks (2015) and Song for his Disappeared Love (2010), and Jaime Luis Huenún’s Port Trakl (2008).

“Memories of My Overdevelopment”
http://bostonreview.net/poetry/daniel-borzutzky-memories-my-overdevelopment
Interview
https://mattermonthly.com/2015/01/11/big-a-little-a-interviewing-daniel-borzutzky-with-joel-craig-by-matthew-reed-corey/

BathHouse Readings are sponsored by the College of Arts and Science and the Department of English Language and Literature

bathhouse-header-checkered-green

DANIEL BORZUTZKY and AMY SARA CARROLL

READING: September 27, 2016 at 4:30 pm

“BOR/DER/I/ZA/TION” (Conversation): September 28, 2016 at 2 pm

BOTH EVENTS WILL TAKE PLACE IN THE

STUDENT CENTER AUDITORIUM

Amy Sara Carroll

amy-sara-carroll

Amy Sara Carroll is the author of two collections of poetry SECESSION (Hyperbole Books, an imprint of San Diego State University Press, 2012) and FANNIE + FREDDIE/The Sentimentality of Post-9/11 Pornography (Fordham University Press, 2013) and one book of criticism REMEX: Toward an Art History of the NAFTA Era (The University of Texas Press, forthcoming). Since 2008, she also has been a member of the collective Electronic Disturbance Theater 2.0/b.a.n.g. lab, coproducing the Transborder Immigrant Tool, which was included in the 2010 California Biennial and Political Equator 3.

“Family Portrait” and “Pipe Dream”
https://www.asu.edu/piper/how2journal/vol_3_no_3/performance/carroll-index.html
“The Epic of American Civilization”
http://www.datableedzine.com/#!amy-sara-carroll-epic/i4seh
TRANSBORDER IMMIGRANT TOOL
http://scalar.usc.edu/nehvectors/border-codes/index

“Code as Ritualized Poetry: The Tactics of the Transborder Immigrant Tool”

http://www.digitalhumanities.org/dhq/vol/7/1/000157/000157.html

BathHouse Readings are sponsored by the College of Arts and Science and the Department of English Language and Literature