Upcoming: Carla Harryman M–/W– launch (9/28)

 
Carla Harryman and George Tysh kick off the evidence series in Ferndale on September 28.
 
evidence:
                new writing in the metro
                        Saturday, September 28, 8 pm
                             Carla Harryman: M–/W– launch
                             George Tysh
                                    407 West Marshall, Ferndale 48220
*For info on Carla Harryman’s  M–/W–  visit  http://splitleveltexts.com/texts/w-m    

Upcoming: An Evening of Poetry and Conversation (9/27)

Please join us for  an evening of poetry and conversation with:

 

CATHERINE WAGNER, KAPLAN HARRIS,

BRENNA YORK, & MATVEI YANKELEVICH

 

Friday September 27

 

@ Rob Halpern and Lee Azus’s home:

319 Garland Street in Ypislanti

 

Gathering begins 7:00. Readings begin at 7:30.

Beer & Wine & Partners, all welcome!

 

Bios and Links:

Catherine Wagner’s collections of poems include Nervous Device (City Lights, 2012) and three previous books from Fence. Her work appears in the recent edition of the Norton Anthology of Postmodern American Poetry and other anthologies. She teaches in the MA program in creative writing at Miami University and lives in Oxford, Ohio with her son.

Recent work by Catherine can be found here:

http://theclaudiusapp.com/2-wagner.html
http://writing.upenn.edu/pennsound/x/Wagner.php

 

Brenna York resides within the Peabody Manor in Oxford, Ohio. She released Mr. Ivy, a chapbook with Plumberries Press, this past June at the Midwest Press Festival in Milwaukee. Brenna is a graduate of EMU’s Creative Writing Program.

A performance of “Twat-lite”, a collaboration between Brenna York and Elizabeth Mikesch, can be viewed here: https://vimeo.com/user14622738

 

Matvei Yankelevich is the author of the poetry collection Alpha Donut (United Artists Books) and the novella-in-fragments Boris by the Sea (Octopus Books), and the translator of Today I Wrote Nothing: The Selected Writings of Daniil Kharms (Overlook/Ardis). He is one of the founding editors of Ugly Duckling Presse, where he curates the Eastern European Poets Series. He is a member of the Writing Faculty at the Milton Avery Graduate School of the Arts at Bard College; in Fall 2013 he is Visiting Writer at Long Island University’s MFA in Creative Writing.

Recent work by Matvei can be found here: http://bombsite.com/issues/119/articles/6447

[excerpts from the long poem “Some Worlds for Dr. Vogt” and a film based on the same poem made in collaboration with Jeanne Liotta]

 

Kaplan Harris is an editor & scholar. He has forthcoming essays in the Cambridge Companion to American Modernist Poetry & an exhibition catalog on the clairvoyant conceptualist Hannah Weiner. He lives with his daughter in Buffalo, NY.

Recent work by Kaplan can be found at:.

“The 2013 Buffalo Small Press Fair,” Harriet Open Door Series (May 2013).

“Avant-Garde Interrupted: A New Narrative after AIDS.” Contemporary Literature 52.4 (winter 2011).

“A Zine Ecology of Charles Bernstein’s Selected Poems,” Postmodern Culture 20.3 (May 2010).

Interview for “Into the Field #5” (podcast series), hosted by Steve McLaughlin, Jacket2 (June 2011)

The Selected Letters of Robert Creeley. Edited by Kaplan Harris, Rod Smith and Peter Baker. University of California Press.

 

 

CRTW Graduate Showcase

CRTW Graduate Showcase 2013It excites the Creative Writing blog to announce the Creative Writing Graduate Showcase on Thursday, April 18th from six until eight in the evening. This blessed event will be hosted in the Carillon Room in the Halle Library on EMU‘s campus. The graduate performances promise to “blow down doors and hurl windows from the highest of towers.” Those performing include Nicholas “Mr. Electric Ocean” Mourning, Arthur “Ace” Challenger Oemke, and the articulated semtex-man Gerard Breitenbeck. Each will be performing an aspect of their Creative Masters Thesis projects. Mourning’s work is a an ethnographic mapping that bisects poetics and the electric self. Oemke’s can best be referred to as debauched fiction that attempts to undermine the authority of the sensorium. Capping the event, Breitenbeck will showcase new forms which break stale narrative sculptures and blast through our rectangular age with a re-percussive return to the early eighties.

 

 

EMU’s CW students’ public collaboration makes national news

Hats off to undergrads Sam Schimmel, Eric Corliss, Karen Thompson, Taylor Cyr, and Garret Stralnic from Christine Hume’s “Collaboration and Community Projects” and Linette Lao’s “Mixed Media” classes! Their work has received national attention in the New York Daily News. The members were from the collaborative group known as Operation Mongoose 2012 whose public work urges a remembrance of books and bookstores as a declining animal in our increasingly virtual world of books.

 

Bathhouse and more

This week is jam packed with creative writing.  Bathhouse reading series presents  two performers. November 28th will be a reading featuring Dimitri Anatasopoulo, Camille Roy, and Rachel Levitsky.

Then, join us on the 29th for a panel discussion with our presenters moderated by our own Carla Harryman entitled: Intersections: Community, Politics and Art.

The event takes place at Roosevelt Hall from 4-6pm both days, so if you cannot make one there is another. For more information be sure to check out the reading series page.

But wait, there’s more! After the Bathhouse reading EMU’s Nicholas Mourning will be performing at Wednesday Night Sessions at the Mentobe Cafe in Farmington. This is the final reading of the year so be sure to catch it if you can. Other “fantastic” authors include Steve Gillis, Mary Minock, and Horam Kim. The event beings at 7pm and should run about one hour.

In other news Dr. Rob Halpern has recently been awarded the Sexiest Poem Award! Congrats to Rob, one of the Creative Writing faculty here at EMU.

Upcoming Temporal Arts Collective Event

[ a n o c t a v e ]Great news! Upcoming performances by the Temporal Arts Collective. The event, [ a n o c t a v e ], will be taking place Saturday November 17th at 9:00pm 106. N. Adams Apt. 2 in Ypsilanti. The event promises  to be “an evening of contemporary poetry.” A mix of performers, alums, current undergrads, graduate students and innumerable others will be there.  Those reading include, but are not limited to:

  • Kellie Nadler
  • David Boeving
  • G. Matthew Mapes
  • Jonah Mixon-Webster
  • John Farmer
  • Nick Compton
  • Miranda Metelski
  • and Kristen Gines

For more information about the Temporal Arts Collective check out their Facebook page.
If you cannot make it, fear not, the blog will send one of its staff writers to the event.

CW Faculty and Student Performances

This past week was a big one for both students and faculty. Performers from each echelon exhibited work in the Detroit Metro Area. Both Dr. Christine Hume and CW Grad Student Danielle Etienne were among the artists performing.

On Thursday November 8th at 7:00pm at the Museum of Contemporary Art Detroit (MOCAD), the blog bore witness to both a Reading & Performance of Catherine Wagner & Christine Hume. Christine Hume started the night with a solemn incantation in a piece titled “Speech Talks Back,” afterwards  Catherine Wagner performed poems from her new book, Nervous Device (City Lights, 2012).

MOCAD

During Dr. Hume’s piece, the gallery space was plunged into near dark, a single light illuminating the reading space. The audience sat hushed, and distracted. Dr. Hume read as simultaneous audio boomed from several speakers. At times ears were overwhelmed with the recording and at other times one could feel the reading more palpably. The effect was incongruous with the play between the two channels of narration creating a third space where the piece took form.  The performance caught the audience in this third space, between the poles of navigation, the reading and the recording.

When Dr. Wagner took the stage, the lights came up and all was visible. She calmed herself using a variety of medieval songs rendered live before the audience. She stood before the audience eschewing the podium for a more intimate relation with the attending crowd. Her poems created laughs, frowns and other expressions as diverse as the material she read. Occasionally a poem would also include sung lyrics. This was not a professional musical performance, but an interaction between an untrained singing voice and a honed reading. Indeed, “the poems of Nervous Device express a self-conscious scepticism about the potential for human connection even as they maintain[ed] an optimistically charged eroticism.”

Flip Salon

 

 

 

 

 

 

 

 

On Saturday November 10th at 8:00pm, Creative Writing Graduate Student Danielle Etienne read three short fiction pieces at Flip Salon in Ferndale. The exhibition/performance, titled Little Cloud Rising/STRAIGHT TO HELL, also featured artwork from artist Jacqueline Woodrich and live musical accompaniment. The space itself, Flip Salon, is indeed a hair salon. Artwork lined the walls and Ms Etienne read in the “waiting room” while the audience crowded around and watched from a variety of perches. As Ms Etienne read a banjo played on, the aura of white trash hillbilly that Ms Etienne articulates in her piece was brought twanging into the salon space. The audience hooted and hollered throughout the performance as Ms Etienne’s evocative descriptions filled them with laughter or caused them to cringe inwardly.

Each of the events was a remarkable demonstration of the breadth of diversity that is present in the EMU Creative Writing Program and the blog looks forward to more performances of both students and faculty.

Past and Future

The Gregory Brothers incoming to EMU campus November 28th. That’s one week after thanks giving. They will be “speaking” in the Student Center Grand Ballroom, their performance begins at 7:00pm. The Gregory Brothers, of auto tune the news fame, are sure to brighten a dreary November with their unique comedy.

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Upcoming events Week of October 22nd

Hello. Greetings from the ether, this week  are two events that I think the community ought to be aware of. Both will be reviewed by the EMU:CW:B staff and/or its affiliates.

Chronologically the first event is Storytellers Lounge. This event is held in the Student Center room 300 and begins at 9pm October 25th, this Thursday. It is part of an ongoing series that takes place every four weeks. “Storytellers Lounge is a whole new experience for almost anyone who attends. Inspired by the Moth StorySLAM, eight to ten people will have the opportunity to share a real-life story with an audience. The performers will range from emerging writers, performers and artists to EMU faculty, staff and students with the purpose to entertain, inspire and motivate.

The second event I wish to bring to the attention of the community is the Madhouse Poetry Night. More than a few Eastern Michigan University students will be performing at the Ugly Mug Friday October 26th starting at 7:00pm. Be aware, there is a one drink minimum. For more information I’ll leave this link here.

Also, in the interest of keeping the reader engaged I would like to address the banner art for the Creative Writing Blog. We are currently accepting photo-submissions to replace our banner art. If you have a picture/image you feel would work just perfectly in that space please submit via the submissions page.

An account of the events of September 21st by Rebecca Hughes

One never knows what to expect when they show up to a reading, but you know when it’s a Prof’s house, that the A-game will be brought.

First Wendy Kramer presented, “The Morton Salt Girl Monologue: NaCl and the Meaning of Her Mark” accompanied by collaged trademark images she had created of the changing icon over the years. In a performance including visual and auditory cohesion and dissonance, she read both stage direction and script of a constructed text for the girl. This was followed by David Buuck who presented “We are all Sound: Poetics and Public Space in the Occupy Oakland Movement” which expressed an “on the scene” accounting of the challenges of creating and distributing poetics that can attempt to convey, do justice to, or maybe even not to do too much justice to, the movement.

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