Join us on November 5th and 6th as BathHouse Events and the Creative Writing Department welcomes Douglas Kearney and Tisa Bryant!
Readings by Douglas Kearney and Tisa Bryant
Tuesday, Nov. 5th, 4 p.m. – 6 p.m.
EMU Student Center Auditorium
And:“Textual Orality: African Diasporic Aesthetic Practices”
A Discussion with Douglas Kearney and Tisa Bryant
Wednesday, Nov. 6th 3 p.m. – 5 p.m.
EMU Student Center Auditorium
The aesthetic and formal roots of African diasporic cultural production are often determined in relation to oral tradition, from poetic expression and practical education, to transmission of cosmologies and the genealogical storytelling of village griots. Celebrating and analyzing solely the oral can come at the expense of the written word, from signs and pictographs of ancient Egypt or Haiti, to the ‘spirit writing’ of African American mediums and healers. In response to this enduring but insufficient binary thinking, Tisa Bryant and Douglas Kearney devised the concept Textual Orality. Textual Orality is a way of naming this site of generative tension within African diasporic literature. Using this concept as a critical frame, Bryant and Kearney will explore the ways in which both the (il)legible and aural, the stylized mark and the spoken word, experiments in writing and traditions in performance (or vice-versa), are distinct and interdependent features of their individual writing practices and pedagogies.
“So after running around like a crazy person most of yesterday getting ready for the event, I finally got to sit down and enjoy the fruits of 4-6 months of waiting and working and worrying!
I’m sitting in the scratchy auditorium chair, flipping through my phone. I got here early because I hate crowds and I wanted to get a seat close to the end so I can make a quick get away once this is over. I know, I know -I’m a terrible person. These Bathhouse events are for the students. And as a creative writing minor, I should be interested. I should be attentive. But the fact is I just got done with a long day of class and the only thing I’m thinking about is how early do I need to go to bed to get up in the morning without wanting to shove a fork in my eye?
On November 28 and 29 two Bathhouse reading events took place in the auditorium of Roosevelt hall on campus. There were three authors in the event, beginning with a reading on the afternoon of the 28th and a panel discussion including audience questions on the 29th.
As I listened to Dmitri, I found myself writing down his words/lines, but only the ones I took as sexual content or a sexual response. Here’s the poem that it created:
On the first day of the Bathhouse readings we listened to Dimitri Anastasopoulos, Camille Roy, and Rachel Letvisky read from some of their past works as well as new pieces either recently published or currently being written. Having four creative writing classes this semester I’ve read pieces from every one of those writers.
Last Month On November 28th and 29th Emu Students and the extended community invited Dimitri Anastasopoulos, Camille Roy, and Rachel Levitsky to read at the Bathhouse event on campus. The EMU students have written reviews of the event and the blog is only too glad to share this with you. The writers each read from either published works or work in progress. Dimitri read a short excerpt from Farm of Mute due to release soon by Mammoth Books. Camille read from a book of her poetry titled Sherwood Forest published by Future Poem. Rachel Levitsky read from her book, Neighbor, available from Ugly Duckling Presse.
On November the 29th each of the writers gave a short presentation or talk on work that concerned them. Dimitri has given the blog permission to re-post his essay about narrative and finance. Rachel conducted a short presentation on the Office of Recuperative Strategies, a way of intervening in the archive, among other things. Camille gave her opinions on community and what it means to be a part of one; as they may change in ways that are not aligned with the ways you are changing. After all the presentations, there was a Q&A session where the audience was invited to test more readily the various writers’ opinions.
Dimitri’s works are available below the cut.
This week is jam packed with creative writing. Bathhouse reading series presents two performers. November 28th will be a reading featuring Dimitri Anatasopoulo, Camille Roy, and Rachel Levitsky.
Then, join us on the 29th for a panel discussion with our presenters moderated by our own Carla Harryman entitled: Intersections: Community, Politics and Art.
The event takes place at Roosevelt Hall from 4-6pm both days, so if you cannot make one there is another. For more information be sure to check out the reading series page.
But wait, there’s more! After the Bathhouse reading EMU’s Nicholas Mourning will be performing at Wednesday Night Sessions at the Mentobe Cafe in Farmington. This is the final reading of the year so be sure to catch it if you can. Other “fantastic” authors include Steve Gillis, Mary Minock, and Horam Kim. The event beings at 7pm and should run about one hour.
In other news Dr. Rob Halpern has recently been awarded the Sexiest Poem Award! Congrats to Rob, one of the Creative Writing faculty here at EMU.
Jonah Mixon-Webster, a current CW grad student and newly selected Editor-In-Chief of the international hypermedia journal, BathHOUSE, is looking for Readers/Contributing Editors for the BH Journal.
Readers will review submissions of hypermedia text/visual/sound work and provide feedback on what they think will or will not fit with the journal’s direction. Contributing Editors will have the same duties as Readers but will usually spend more time aiding with the production of the actual issue.
If you would like to know more about these positions or are ready to jump on board, please email Jonah at firstname.lastname@example.org.