Upcoming: BATHHOUSE EVENTS 11/5 & 11/6

Join us on November 5th and 6th as BathHouse Events and the Creative Writing Department welcomes Douglas Kearney and Tisa Bryant!

The details…

Readings by Douglas Kearney and Tisa Bryant
Tuesday, Nov. 5th, 4 p.m. – 6 p.m.
EMU Student Center Auditorium
Ypsilanti


And:
“Textual Orality: African Diasporic Aesthetic Practices” 
A Discussion with Douglas Kearney and Tisa Bryant
Wednesday, Nov. 6th 3 p.m. – 5 p.m.
EMU Student Center Auditorium
Ypsilanti

Texual Orality: African Diasporic Aesthetic Practices
The aesthetic and formal roots of African diasporic cultural production are often determined in relation to oral tradition, from poetic expression and practical education, to transmission of cosmologies and the genealogical storytelling of village griots. Celebrating and analyzing solely the oral can come at the expense of the written word, from signs and pictographs of ancient Egypt or Haiti, to the ‘spirit writing’ of African American mediums and healers. In response to this enduring but insufficient binary thinking, Tisa Bryant and Douglas Kearney devised the concept Textual Orality. Textual Orality is a way of naming this site of generative tension within African diasporic literature. Using this concept as a critical frame, Bryant and Kearney will explore the ways in which both the (il)legible and aural, the stylized mark and the spoken word, experiments in writing and traditions in performance (or vice-versa), are distinct and interdependent features of their individual writing practices and pedagogies.
Tisa Bryant:
            Though she hails from Boston, received an MFA from Brown University, and lives in Los Angeles, Tisa Bryant grew into her writing within San Francisco’s vibrant literary/arts communities, serving in various capacities with ATA, CineLatino, Frameline, New Langton Arts, the San Francisco International Film Festival, Small Press Traffic, and Intersection for the Arts, among others. She is the author of Unexplained Presence (Leon Works, 2007), a collection of hybrid essays on myth-making and black presences in film, literature and visual art; co-editor/founder of the ongoing cross-referenced journal of narrative and storytelling, The Encyclopedia Project, and co-editor of War Diaries, an anthology of black gay men’s desire and survival, nominated for a 2010 LAMBDA Literary Award. Bryant is currently on a reunion tour with the poets and writers of The Dark Room Collective, celebrating the 25th anniversary of their nationally-renown African diasporic arts exhibition and reading series and she teaches fiction and experimental writing in the MFA Creative Writing Program at the California Institute of the Arts.
Douglas Kearney:
           Poet/performer/librettist DouglasKearney’s second, full-length collection of poetry, The Black Automaton (Fence Books, 2009), was Catherine Wagner’s selection for the National Poetry Series. It was also a finalist for the Pen Center USA Award in 2010. His newest chapbook, SkinMag (A5/Deadly Chaps) is available. Red Hen Press will publish Kearney’s third collection, Patter, in 2014. He has received a Whiting Writers Award, a Coat Hanger award and fellowships at Idyllwild, Cave Canem, and others. Two of his operas, Sucktionand Crescent City, have received grants from the MAPFund. Sucktion has been produced internationally. Crescent Citypremiered in Los Angeles in 2012. He has been commissioned to write and/or teach ekphrastic poetry for the Weisman Museum (Minneapolis), Studio Museum in Harlem, MOCA, SFMOMA, the Getty and the Poetry Foundation. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts.

Taylor Cyr Reviews November 2012 Bathhouse Events

I’m sitting in the scratchy auditorium chair, flipping through my phone. I got here early because I hate crowds and I wanted to get a seat close to the end so I can make a quick get away once this is over. I know, I know -I’m a terrible person. These Bathhouse events are for the students. And as a creative writing minor, I should be interested. I should be attentive. But the fact is I just got done with a long day of class and the only thing I’m thinking about is how early do I need to go to bed to get up in the morning without wanting to shove a fork in my eye?

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Karen Thompson Reviews November 2012 Bathhouse Events

Day 1

On the first day of the Bathhouse readings we listened to Dimitri Anastasopoulos, Camille Roy, and Rachel Letvisky read from some of their past works as well as new pieces either recently published or currently being written. Having four creative writing classes this semester I’ve read pieces from every one of those writers.

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Bathhouse Past

Last Month On November 28th and 29th Emu Students and the extended community invited Dimitri Anastasopoulos, Camille Roy, and Rachel Levitsky to read at the Bathhouse event on campus. The EMU students have written reviews of the event and the blog is only too glad to share this with you.  The writers each read from either published works or work in progress. Dimitri read a short excerpt from Farm of Mute due to release soon by Mammoth Books. Camille read from a book of her poetry titled Sherwood Forest published by Future Poem. Rachel Levitsky read from her book, Neighbor, available from Ugly Duckling Presse.

Camille

Reading from Sherwood Forest

Rachel

Rachel reading from Neighbor

 On November the 29th each of the writers gave a short presentation or talk on work that concerned them. Dimitri has given the blog permission to re-post his essay about narrative and finance. Rachel conducted a short presentation on the Office of Recuperative Strategies, a way of intervening in the archive, among other things. Camille gave her opinions on community and what it means to be a part of one; as they may change in ways that are not aligned with the ways you are changing. After all the presentations, there was a Q&A session where the audience was invited to test more readily the various writers’ opinions.

Dimitri’s works are available below the cut.

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Bathhouse and more

This week is jam packed with creative writing.  Bathhouse reading series presents  two performers. November 28th will be a reading featuring Dimitri Anatasopoulo, Camille Roy, and Rachel Levitsky.

Then, join us on the 29th for a panel discussion with our presenters moderated by our own Carla Harryman entitled: Intersections: Community, Politics and Art.

The event takes place at Roosevelt Hall from 4-6pm both days, so if you cannot make one there is another. For more information be sure to check out the reading series page.

But wait, there’s more! After the Bathhouse reading EMU’s Nicholas Mourning will be performing at Wednesday Night Sessions at the Mentobe Cafe in Farmington. This is the final reading of the year so be sure to catch it if you can. Other “fantastic” authors include Steve Gillis, Mary Minock, and Horam Kim. The event beings at 7pm and should run about one hour.

In other news Dr. Rob Halpern has recently been awarded the Sexiest Poem Award! Congrats to Rob, one of the Creative Writing faculty here at EMU.

BathHOUSE Journal – Readers/Contributing Editors

Jonah Mixon-Webster, a current CW grad student and newly selected Editor-In-Chief of the international hypermedia journal, BathHOUSE, is looking for Readers/Contributing Editors for the BH Journal.

Readers will review submissions of hypermedia text/visual/sound work and provide feedback on what they think will or will not fit with the journal’s direction. Contributing Editors will have the same duties as Readers but will usually spend more time aiding with the production of the actual issue.

If you would like to know more about these positions or are ready to jump on board, please email Jonah at jmixonwe@emich.edu.